Le Grand Wazoo, Amiens, 1997
      Our society, primarily based on wage-labour, rejects an increasing number 
      of people who, with no work and prepared to no alternative by a system only 
      preoccupied by profitability, find themselves idle, with no social existence 
      and with just no existence. This leads us to reconsider the whole social 
      architecture and search - or dream - alternative forms of life, obviously 
      far away from economical logic and even common sense. But the time of utopias 
      is gone. Now, no more ideological joke, high equals low until they serve 
      some interest; art is only tolerated when harmless while the department 
      store seems to be today's phalanstery. Therefore, it's nor about trying 
      to build a better world neither to cry after a lost harmony, but simply 
      about persevering in disturbing our social habits in order to perceive their 
      nature - and thus assume/take over their vacuity. Waiting room detached 
      from its function, pure waste place or unconsumable artwork, the Waiting 
      Room (Room For Lost Times) testifies about a possibility of existence aside 
      and against the logic of the market and the imperialism of efficiency. 

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(Cover of the booklet, Le Grand Wazoo, Amiens, 1997)
Context : Amiens (Fr.), 80 000 inhabitants, 130 km north of Paris, about 
      25 % unemployment, many left-overs from an industrial past, highest suicide 
      rate in the french police. The viewers, responding to the card announcing the 
      opening of The Room For Lost Times (La salle des temps perdus) were expecting 
      an exhibition. They found a basic waiting room with nothing to wait for, 
      and just a table covered with copies of the booklet.