David Thorne
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How Do You Like Your Politics?
It's mind-numbing when your head bounces slowly back and forth with
programmed regularity in the blank "interstices" between art and politics.
It's just as mind-numbing to tread critical water in an endlessly shifting
sea of subjectivities and "positionalities." Where are you? By now capital
has purchased that body of water and your flexible identity fits it
skin-tight, a wet-suit. How long do you need to be held under before you
start fighting your way out? At some point you have to pull yourself
together, take a position, stand.
"Come on, it is pointless for you to look for a seat so you can watch the
fight as a spectator. There are no seats in the place. . . . There is only
room in the ring."
(-Subcommandante Marcos)
So, the question of whether or not you are making "political art," and the
double-binding questions "but is it art? and "but is it politics?," strikes
me as largely irrelevant if you have not addressed another question: What
are your politics? This question, first of all, regardless of what
institutional setting you are working in or think you are working outside
of, demands an answer. The time to come up for air is now: Are you opposed
to the greed, stupidity and terror of capitalist systems? Do you really
think that some sort of user-friendly capitalism is possible? Or are you
for building cultures which dispense with property and profit? This would
affect your chances of making a living from art and politics, so don't
shoot yourself in the foot too quickly with an answer. Do you want to
merely "tolerate" people, or respect them? And what is to be done with the
ones who impose and enjoy the current global state of affairs? What do you
think about workers controlling the means of production? Do you want to
transform society or just make yourself more comfortable? Do you take your
politics depoliticized? One lump or two? Is resistance merely another
exhibition in the right place at the right time, advancing the career of
the fucking idiot artist? Or is it a practice which might provide art with
a purpose you've only been pretending it has up to now? These are all
questions without easy answers unless you completely cop out with the
fantasy that "everything is fine." I'm asking these questions and include
myself in their address because at this point straight critiques of rotten
systems are not even funny and will always be stopped dead in their tracks
if they express no possibilities or strategies for resistance. Critical
resistance: what are you against and what are you for and are you willing
to use any means necessary to bring it about? Despite it's cultivated
irrelevance, politics (art) is a necessary means. It's what we're making.
Fuck off, or just pardon my unimaginable naiveté and reckless anachronism.
I'd rather try to find some language for all this than sit tight even
though there are no seats and shut up. I'd rather try to "be political" and
fail than not even try. Defeatism has not won me over. Submission is futile.
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